Showing posts with label technology. Show all posts
Showing posts with label technology. Show all posts

Sunday, January 6, 2013

Screwed Forever- Messing Up In The Digital Age



It's been a while since I've felt like posting anything here. Over the last few months I have taken a big step back from social media.  I have found that when I log onto Facebook and scroll through my News Feed, I'm overwhelmed by the amount of information that spews out and underwhelmed by its substance. I don't mean to suggest that my life and thoughts are so much more interesting than the rest of the world. Instead, I don't free the urgency to share every single thing I do or every single thought that crosses my mind. These days, I do a quick weekly-or-so scan through Facebook and go about my business.

One huge benefit of all of this is that my head feels so much clearer. At my peak of online activity, my head felt as if it were being cooked in a microwave with rays penetrating my skull and slowly frying my brain. When I initially became aware of this, I decided to enact a No Internet Sunday rule for myself which consisted of not going online at all unless there was a specific urgency. Otherwise, it's all about reading, writing, and listening to music. I won't pretend that I've adhered to this fully but I can say with confidence that there has been a huge change for me.

Over the last few years, I've been alarmed at the downside of being a virtually connected society. Once upon a time, if you screwed up royally you were less at risk for having a black mark attached to your name for the rest of your life. These days, if you do something stupid or commit an action due to some temporary lapse in judgement, it's too easy for that to be documented, uploaded, and stored for posterity.  Some young people appear to be especially oblivious to this idea as they post pictures of their intoxicated selves or share information best left unshared.   The concepts of forgiveness and redemption are harder to come by once your transgression has made its way to Google and the all-knowing Cloud. I had an experience a few years back where a handful of people decided that a minor error of judgement on my part merited four pages of Google results with my name attached that should stay with me until the end of time. These people, with seemingly little time on their hands, felt that the rest of my life should be tainted for something that wasn't my fault but that I was accountable for. Thankfully, this was all before Twitter and Facebook so it was very easy to mitigate the damage although some of it remains years later.

All of this was on my mind this week because I saw a photograph taken on an airplane flight of a man who was restrained in his seat with duct tape and plastic ziplocks along the lines of what police use to arrest rioters. The man was allegedly intoxicated and became abusive to passengers and the flight crew. I fully support the decision of the flight crew to restrain this man if he were presenting a huge safety risk. What angers me is that the person sitting across the aisle from him found it necessary to humiliate this man further by taking his photograph and posting it online. Again, the behavior of the passenger merits appropriate punishment. My hope is that the man is given an opportunity to seek whatever help he needs to address the root causes of his actions. But no matter what he does, the documentation of a single regretful act will be around forever.  Somehow, it seems unfair.

I really want to know what went through the mind of the person who uploaded that picture. Was it because he/she was subjected to this man's abuse? Was it because he/she wanted to help create the next hip internet meme? I find the whole thing shameful and disgusting. Something like this makes me want to retreat further away from the online world.

Sunday, January 15, 2012

Thinking About How Music Used To Sound




The other day, I had the intro to “Back In Black” by AC/DC ringing in my head. When I heard it for the first time on vinyl through my parents' stereo system, the moment where Angus Young's killer riff kicks in felt like being kicked across the room. While I was daydreaming about all of this, I remembered a recent post by Bob Lefsetz titled “Sound Quality” where he states:

..if you’re listening to hard rock or acoustic music on earbuds, anything but Top Forty dreck, you’re gonna be predisposed to think it sucks. Because you’ve got to feel the music. And almost nobody has enough power to generate that kind of oomph, only distortion.
One of the points he makes is that today's music is being produced to be played on computer speakers and tiny earbud headphones. To me, most of what passes for popular music these days sounds scrunched down and flat to me. I guess this is what happens when music is made on computers to be played on computers. While I've expressed my appreciation of what the digital age has done to facilitate the creation of music, much of the output is missing the warmth that used to come off a record. I refuse to listen to any digital version of The Rolling Stones' “Get Yer Ya Ya's Out” even though the digital versions I own are easier to get to than my record. To me, latter-day Springsteen music is an entirely different animal than his classic records because the new sounds lacks the dynamic of “The River” where the songs feel like they were all done live with the guys standing around a big room. In fact, one thing that is sorely lacking from today's music is the sound of “the room”. Any decent producer can tell you that the room used in a recording is another instrument in the band. The reason that John Bonham's drum beat in “When The Levee Breaks” stands out over 40 years later is that the drums were placed at the bottom of a stairwell and mic'ed from above. In the documentary “The Promise: The Making Of Darkness On The Edge Of Town”, there is a great scene that shows Bruce obsessively searching for the perfect drum sound. He has Max Weinberg pounding a snare over and over and shouts out “Stick!” every time Max's drumstick makes a sound that detracts from what he wants. I wonder if that level of obsessive detail over acoustics is happening today. (I'm not saying it isn't- I'm just wondering).
Though many are losing hope that today's music has forever lost the warmth that comes with live recording, my faith was restored somewhat when a friend's Spotify feed informed me that he had just listened to “Go To Hell” from Raphael Saadiq 2011 album “Stone Rollin'”. The 70s soul groove on this record is reminiscent of old Stevie Wonder. When you listen to it, you can picture a big room full of musicians reading off of charts and recording together like you see in so many movies about music as it was made in the good old days. “Stone Rollin'” is one of a small handful of records released last year that has restored my faith that there are musicians out there that are able to make music that feels intimate instead of electronic. (Another example that jumps out at me is “Helplessness Blues” by Fleet Foxes.) If you keep the faith, true believers, you can still get knocked off your socks if you're willing to hang in there.

Wednesday, December 28, 2011

Viva La Vinyl With The Vinyl District GPS Record Store App

As the music world gets deeper into technology and further away from the old school, The Vinyl District has brought things back around with its free GPS-based Record Store Locator App for iPhone or Android. As the site claims, it's the only GPS-based record store locator app in the US. It's as simple as pressing the All Stores button in the app and waiting for a list of stores to appear along with addresses and mapped locations.

I've been testing it a little bit and I have to say that so far, it's working rather well. The app was able to find the two record stores on my block as well as all of the shops located nearby around the LES, East Village, and West Village. I'm pretty sure there's nothing missing in the listings for my hood. I've walked around a little bit and whenever I've given the app a spin, it comes up with a reasonable list of results. I'm eager to try this out when I travel and see where it takes me.

I wonder how this app was put together- did someone manually enter every record store into a database? I'd love to know. As I understand it, they'll be adding the UK at some point in time. Eventually, it would be incredible if you could use this app anywhere you happen to be to help you go a'hunting for vinyl. One addition I'd like to see is the ability to enter a zip code, city name, or neighborhood (i.e. Silver Lake) and bring up results. I realize that's not exactly GPS but I think it would be a great enhancement.

As much as I love how technology has changed the way we create and consume music (as written about here and here), I'm really struck by the idea of using current technology to help sustain old school record shopping. As all of these stores are locally owned, this app is a wonderful way to help out our independent record store owners as they try to stay alive in today's music market.

Check it all out here!

Thursday, July 28, 2011

Gigantic


There's been lots of talk on the cyberwaves in recent days about online music. The Spotify launch is certainly at the forefront of all of that. I've used it when it was Europe-only and plan to go all-in on the Premium plan when I have some time. For a long time, I've said that the drawback to smartphones and other portable devices is that you can't fit as much as you would like onto your hardware. Streaming music has come a long way in the last couple of years. I've been waiting for a long time to get my hands on Spotify so I can stop syncing music between my computer and my Mac. Now that Spotify is finally here in the US, I've realized that I have so many ways to stream music that I am hardly lacking for things to listen to and I'm not in a big rush to get hooked up. Lately, I've been all over Mixcloud and 8tracks. I love the idea of user-curated mixes of content I've never heard of that's put out there by strangers.

It looks like the doors are being blown wide open both underground and above. For the last two days I've been blown away by the new iPhone app that The Pixies just released. In addition to the expected news and photos, there's a bunch of videos and merch. The killer for me is the fact that you can stream three different concerts- Minneapolis 2004, Manchester 1988, and an acoustic set from Newport 2005. I've been smitten with the acoustic version of “Here Comes Your Man”.

I'm blown away by the power that's now in the hands of the bands. If you think about it, do The Pixies need to work with a record label ever again if they can get their music directly into your hands via your phone? A word of caution is needed here. The reason that The Pixies can do this is that a major label spent a lot of money and energy to make sure that people know who they are. That's not a knock at all-just a fact. Could an unknown band put out an iPhone app and have lots of people check out their music? Maybe, maybe not. I guess the point is that there are tools these days that weren't available 18 months ago. The landscape is shifting quickly.

I wonder what Steve Jobs thinks about all of this...